Yuliet Labrada Gómez

Yuliet Labrada Gómez (Santiago de Cuba, 1998) is a Cuban visual artist and conservator, meinen Abschluss gemacht 2018 von der José Joaquín Tejada Professional Academy of Fine Arts In Santiago de Cuba. She later continued her studies at the Künste der Universität (IST EIN), specializing in Conservation and Restoration of Cultural and Natural Heritage.

Her education combines a strong foundation in fine arts with in-depth technical and theoretical expertise in heritage preservation, shaping a versatile and committed professional practice that bridgeszeitgenössische kubanische Kunst and cultural conservation.

Since her student years, Labrada has been actively involved in the Cuban art scene. She held her first solo exhibition, Aliento Desnudo (Bare Breath), In 2018, and has participated in numerous group and dual shows, einschließlichAntes Vs Después (2019) at Pabellón Cuba. Her most notable appearances include theSalón David, DieNational Collagraphy Salon Belkis Ayón, DieNational Salon of Religious Art, as well as exhibitions atGalería Arte Soy, DieProvincial Center of Visual Arts of Santiago de Cuba, and digital platforms such asKartel.

In parallel with her artistic career, Yuliet has taken part in major projects and events focused onheritage conservation and restoration, wie dasYoung Conservator and Restorer Conference, DieNational Heritage Event, and a collaborative project with theInstitute of Conservation and Restoration of Milan (Italien).

She has also been part of initiatives likeProyecto DOMUS UndProyecto Expedición, linking her artistic practice to heritage research and archaeology.

Throughout her career, Labrada has received numerous awards and recognitions, einschließlich derBest Research Project Award from the National Museum of Decorative Arts (2021), DieEspátula de Oro Prize from Proyecto Expedición (2019), and distinctions from institutions such as theCaguayo Foundation, DieHermanos Saíz Association, UndGalería Arte Soy.

Her work—deeply self-referential and contextual—offers a critical and sensitive perspective on the Cuban environment, while her practice as a conservator demonstrates a strong commitment to safeguarding cultural memory through artistic creation.