The works or Dunieski surpass the stage of contemplation because they attest to a context in which even resting is disturbing. It possesses the gift of the perturbing and caustic, like in those environments in which, apparently, nothing is happening, and the boredom and annoyance can set the tone for any daily actions: this is to say, covert violence. A matrix daughter of the disenchantment, that possess its codes well designed, a paralleled society and so real that governs and is erected from its underground condition and that, in spite of it, won’t be broadcast on television.

Elvia Rosa Castro / Duni G. Nasco: Essay about the backwards scream (fragment)