Events

In this series by Cuban artist Donis Llago, weapons are neither hidden nor disguised: they are transparent. This condition, which immediately triggers a unique visual experience by revealing the internal complexity of these artifacts, also carries a clear symbolic weight. Transparency exposes what usually remains outside our daily field of vision, reminding us that the threat of armed violence continues to shape contemporary reality, even when it feels distant. By stripping these war machines of their habitual opacity, the artist places them at the center of a reflection on a…Read more …

At first glance, the works of Cuban contemporary artist Airel Suárez seem to belong to a decorative universe shaped by tiles, arabesques, geometric patterns, and motifs associated with domestic architecture. Yet beneath this serene visual language lies a complex network of meanings. Suárez transforms these everyday elements into vehicles for exploring memory, family histories, social transformations, and the historical processes that have shaped the Cuban experience. No longer merely functional objects, the tiles become symbolic archives where the traces of those who inhabited a home, a community, or an era…Read more …

The work of Alejandro Baró unfolds as a visually and conceptually layered discourse shaped by strong political, historical, and social dimensions. Rooted in a continuous dialogue with the legacy of universal art history, his practice examines the cultural processes and ideological structures that have defined contemporary consciousness. Through the appropriation, reinterpretation, and fragmentation of historical references, Baró establishes critical connections between past and present, memory and conflict, transforming art history into an active field of inquiry rather than a static archive. Central to his artistic language is the use of…Read more …

In his work, the power of the symbol prevails, along with the recreation of an identity shaped by the convergence of multiple cultural heritages. Choco immersed himself in a vast legacy and returned from it with a singular figuration, where African elements enter into dialogue with other sensibilities through a process of synthesis. His art is not limited to a specific reference; rather, it emerges from a constant investigation into the dynamics, memories, and essences of Cuban culture. His palette, firmly anchored in the colors of the earth, transcends the merely…Read more …

In Visages, portraiture is conceived as an especially expansive field of representation. On one hand, it brings together the physical features that define presence; on the other, it opens the possibility of suggesting a singular psychological expression—character, sensitivity, and inner world. Yet portraiture extends far beyond any narrow understanding limited to the face or direct likeness. It emerges through diverse artistic languages, from painting and sculpture to photography, drawing, printmaking, and even installation or performance-based practices, taking on multiple forms. For this reason, it encompasses subgenres such as group portraiture and…Read more …

Sometimes support, materials, and technique transcend a merely functional role to become an essential part of the concept, poetics, and discourse of the artist. Such is the case in this body of work by Bryan J. Romero García. Created with gold leaf on Kraft paper, these pieces explore incisive ideas about contemporary context, while the material itself introduces a powerful metaphor: the value of gold evokes a sense of permanence and eternity that challenges the fragility of paper. This is the demanding dialogue through which art takes shape. From that…Read more …

It does not always happen that the documentary work of a photographer also achieves undeniable aesthetic power. Yet this is precisely the case with Néster Núñez. In his images, the act of documenting goes beyond recording a fragment of reality; it also involves re-creating it. The photographer’s gaze organizes the visible world through composition, the expressive use of light, and the construction of atmospheres that suggest more than they explain. Within these photographs, metaphorical implications—sometimes evident, at other times only faintly suggested—reveal a clear stylistic vocation and a deliberate intention to…Read more …

Absolute abstraction does not truly exist in art; here and there, references always emerge. In this series by Cuban artist Roger Toledo, those points of connection are especially clear. The works evoke geometric patterns that naturally extend into the realm of design. Yet their deepest mystery lies in their conceptual dimension. These compositions are not intended to construct fixed or literal projects, but rather to suggest multiple lyrical possibilities. From seemingly precise structures, the work expands into a broader space where form is no longer merely form, but a catalyst…Read more …