In his dirty or pessimistic prints one or two elements reduce aggressiveness to the visual image: in some cases, the guitar -poetry- and in others that leitmotiv of his works that is the butterfly -jump, intermittence, blinking, …, the freedom, the illusion of freedom. Both resources soften the level of frustration that every scene breathes -a topic that, by the way, applies to any context-. Madness is alleviated with more madness, because the horizon is finite. What is presented is a “zero degree”, the nullpunkt, the symbolic suicide in and through the everyday life that is liberated as it can, with what is censored or socially frowned upon: alcohol, homosexual relationships, music, caffeine, nudity.

Elvia Rosa Castro / Duni G. Nasco: Essay about the backwards scream (fragment)