Dariel Emanuel Bertot Rojas – Empire of Dystopia

The work of Dariel Emmanuel Bertot Rojas unfolds in a universe where reality is merely a starting point. In his series, the artist employs estrangement to construct images that, while rooted in everyday life, transcend mere objective representation. Through imaginative play, he creates scenes that challenge the viewer’s perception, inviting them into a visual experience where the unusual and the symbolic intertwine.

However, beyond the dreamlike and the fantastic, his work is deeply imbued with a critical reflection on contemporary society. Symbolism and metaphor are essential elements in his visual discourse, engaging the audience without imposing absolute truths. His compositions do not offer closed answers; instead, they open a spectrum of interpretations in which the viewer must actively participate.

One of the most striking aspects of his work is the subtle use of humor, which at first glance may seem playful but conceals an unsettling complexity. His ironic gaze dismantles certainties, generating a tension between apparent lightness and the critical undertone of his pieces. This sharp humor serves as a tool to expose the contradictions and paradoxes of the reality he portrays.

From a technical perspective, Bertot Rojas demonstrates a mastery of drawing that allows him to construct precise images without compromising expressiveness. His use of a vibrant and intense color palette further enhances the emphasis within his compositions, with chromatic energy that amplifies the suggestive power of his work.

Far from being didactic, Dariel Emmanuel Bertot Rojas trusts in the viewer’s ability to articulate their own interpretation. He does not impose a singular reading but instead opens multiple paths where imagination and social critique converge in a space of continuous exploration. His art, both playful and reflective, aligns with a tradition that sees painting as a medium for questioning and reinventing reality.