Ernesto García Peña

Ernesto García Peña (Matanzas, Cuba, 1949) belongs to the first post-revolutionary generation of Cuban artists. The long list of his exhibitions reflects the fact that he is recognized in Cuba as one of the best known and respected artists of his country. Upon completing his studies at the Academy in Havana, he remained as a professor and for many years influenced the generations that followed.

The motifs of his paintings resemble lyrical poetry. Each work is a poem marked by the lyricism and the visual language of dreams, featuring imagination and intuition at its core. Visually, the works are marked by an aesthetic of delicacy and oscillate between the surreal and the abstract. García Peña uses acrylic paint like watercolor and, by aqueous application of the acrylic on the surface with paint brushes and flat brushes, obtains a transparency that is full of light.

The different elements are presented on the canvas as a breeze or distant memory. The paintings nourish from this delicate and yet radiant coloring – mainly in shades of blue, gray or red – from the empty spaces that reveal the beige background, as well as from the overlap of the layers that are often complemented with drawings from above or below. García Peña is “an artist of atmospheres of subtle transparencies…”, which are the result of “a long road of searches and explorations”.