‘Submerged Feelings’ records a pictorial action through photography, in this case: submerging a paintbrush loaded with ink in water while evoking a specific feeling.
Although the same action is always repeated, the result is different, according to the intention and the energy that is transmitted or discharged through the brush.
This action is related on the one hand to the psychology of colour and on the other hand to the experiment of the Japanese Masaru Emoto on the memory of water and the subtle energies related to consciousness.