The Traces that Name Me is a work that explores the landscape beyond its physical or typological framework, moving past its objective fiction and into the subjectivity shaped by our own autobiography—the attitude of a gaze formed by perceptions that stem from the desires, stories, and memories of the observer. Here, I propose the human being as a monument marked by the blurred and indistinct images of memory, with the erosion of time serving as a shaper in the contemplation of a landscape that mirrors our experience.