Showroom

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– Visit by appointment –

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Lancelot Alonso Rodríguez (*1986, Havana)

He graduated in 1997 from the José Antonio Díaz Peláez Experimental Center for Visual Arts, where he finished the elementary school. He continued his studies at the FIT School of Design in New York in 2005, and at San Alejandro Academy of Fine Arts, in Havana, where he graduated in 2008. He lives and works in Havana.

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Alicia Leal (*1957, Sancti Spíritus, Cuba)

Graduated from the San Alejandro Fine Art Academy in 1980, the artist has developed an extensive and remarkable work during three decades. Alicia Leal has participated in around 160 collective and 30 personal exhibitions. Her work is well recognized and has been presented and repeatedly awarded around the world. Her works are mostly paintings, though she has also worked in photography, ceramic and book illustration. Alicia Leal’s works are part of permanent collections in Germany, Malaysia, the United States, Jamaica, Ecuador and Nicaragua. She is a member of the Union of Writers and Artists of Cuba (UNEAC), and of the Commission for the International Image of Culture. In 2001 she was recipient of the Order for Cuban National Culture and the Diploma for Artistic Merit presented by the University of the Arts.

More about Alicia Leal

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– Previous Exhibit –

Alejandro Gómez Cangas

Alejandro Gómez Cangas’ (*1986, Villa Clara) exhibition is based on a simple narrative structure to tell the life story of a character, and in turn a collective story is narrated in parallel. These two stories strongly complement each other, due to the symbolism that surrounds the act of planting a seed and taking care that it grows and develops successfully. 

Exiting to new lands can overcome the risk of infertile terrains and plagues of extreme climate, but there will always be those who prefer to water that dry tree and wait, with that Tarkovsky faith, for it to bloom again.

Cangas’ work process in general begins with an extensive photographic, random and individual investigation of the most diverse and common characters in our society. Without models or poses, these selected people are extracted from their authentic everyday reality and recontextualized in a deliberate gesture of artistic manipulation. Subjects who march towards an unknown direction, as part of an infantry that maintains its goal on the path itself. In this way the pieces particularize the psychology of the characters, the spectator is forced to scrutinize the peculiarity of the individual gestures and observe that mass of which we are part in one way or another.

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