When we look through art, the possibilities are endless; we enjoy the expressive freedom to address different themes and draw closer to the essence that defines us, philosophizing through a subtle pursuit where the subject—myself—is part of the reality attempting to decipher the construction of spaces filled with mysteries. This process explores human nature and its relationship with the environment. These constructions are suggested by my procedural experience, starting from the deconstruction of the landscape as an image, then building scenes imbued with elemental codes and singular structures to achieve a sober visuality. These images are intervened by a symbolic object that creates an anachrony, adding a purely industrial and humanized element that evokes the sensation of human presence. It presents a contrast between cultures and nature, a conflict that has been in dispute since antiquity—reason versus nature—a contrast that reveals the oscillating condition of thought and its processes.