dates June 26, 2026
venue Online Exclusive
Ismael Olazábal-False Landscapes II (2026) Oil on canvas 160 cm x 117 cm

Within this body of work, Ismael Olazábal Báez immerses viewers in the imagination and lived experiences of a working class that has played a decisive role in shaping Cuban national identity and sustaining, with all its contradictions, a particular social project. Far from epic representations or legitimizing narratives constructed by institutions of power, the artist turns his attention to the anonymous heroes of history—those whose lives have often remained at the margins of official archives.

Olazábal’s artistic research seeks to reframe this memory through an affective and generational perspective, recovering the traces of individual lives, aspirations, frustrations, and challenges of those who experienced historical processes through everyday life. The exhibition unfolds through a methodology with a strong anthropological vocation, grounded in archival intervention, the collection of oral testimonies, and the incorporation of objects donated by the very protagonists of the stories it addresses.

Rather than reconstructing events, Olazábal examines the ways in which memory is shaped, fragmented, and transmitted. His work reflects on the tensions between experience and representation, remembrance and history, promise and disenchantment. By dismantling the archive as a mechanism of authority, the artist transforms it into a field of symbolic dispute where silenced narratives and unfinished futures come to the surface.

Memory develops a poetics of memory that moves beyond nostalgia to critically interrogate the construction of collective identity in contemporary Cuba. Through archives, testimonies, and personal objects, Ismael Olazábal Báez creates a space in which Cuban contemporary art becomes a vehicle for revisiting history from the perspective of those who have lived it from within.